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黑暗中的光明

Distagon T* 2/28

任何人造光源也比不上自然光,如果你想拍摄到影像逼真,细腻的图像画面。但是要在最昏暗的情况下拍摄,你需要一支高速镜头以保留你最需要的影像细节。

Distagon T* 2/28

黑暗中的光明

Distagon T* 2/28

黑暗中的光明

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    Events

    Coffee, Cake & Kit – ZEISS Showcase the NEW LWZ.3 21-100mm

    09/30/2016 - 09/30/2016
    United Kingdom, CVP Fitzrovia, 32-33 Gresse Street, Fitzrovia, London, W1T 1QT

    Digital Splash 16 - Wilkinson Cameras

    10/15/2016 - 10/16/2016
    United Kingdom, Exhibition Centre Liverpool, Kings Dock, Liverpool Waterfront, Liverpool, L3 4FP

    The CameraWorld Show 2016

    10/29/2016 - 10/29/2016
    United Kingdom, Grand Connaught Rooms, London, WC2B 5DA

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    Distagon T* 2/28

    黑暗中的光明

    这支紧凑而不夸张的广角镜头的最大特点是可以减少杂散光和反射,非常适合在困难的照明条件下拍摄。焦距与镜头速度的完美结合,使之成为广泛应用的理想之选。在清晨或黄昏的微光中,或是在室内,它都是更大胆的摄影师的完美伴侣。当照度不够时,它能发现和突出那些会在黑暗中丢失的细节。

    技术规格:

    焦距
    28毫米
    光圈
    F2.0-22
    拍摄距离
    0.24米至无限远
    镜片结构
    10片8组
    视场角
    对角线/水平/垂直74°/65°/45°
    最近对焦距离覆盖
    18 x 12 厘米
    滤镜规格
    M 58 x 0,75毫米
    镜头尺寸(带盖)
    ø 64–72 毫米,长93–96毫米
    重量
    500–580 克
    接口类型
    F 接口(尼康)EF 接口(佳能)

    Distagon T* 2/28

    设计

    当单反系统里须要采取极大的图像角度时,摄像机后部机件和图像平面之间必须有相当大的焦长距离——这就是Distagon镜头原本设计的应用领域。这种先进的远焦设计用于现代具有长焦距的高校准镜头上也能有出众的效果。

    Distagon 8组10片
    "浮动镜片"设计

    Distagon T* 2/28

    功能

    蔡司经典镜头——卓越的传统

    多年以来,蔡司经典镜头在全球摄像师之间一向享有杰出的赞誉——这绝非浪得虚名。 无论拍摄多少照片,坚固的全金属接口都能保障稳定的功能和成像性能。手动的聚焦可促进成像画面的创意设计。

    精确的手动对焦

    手动操作镜头意味着可以精确控制图像效果。人体工程学是其中关键。卡尔蔡司镜头的特点在于较大的旋转角度,由此可以实现精准对焦。变化将立刻呈现在取景器中。高品质调焦机制运行平稳、毫无跳跃感,可令您对调焦平面进行直观调整。以米与英尺为单位的精准刻度以及焦深刻度为手动对焦提供额外辅助。

    出色的图像质量

    卡尔蔡司镜头可以为您提供卓越品质、可靠的、清晰及鲜明锐利的图像。拥有几乎为零的几何失真度,确保精确再现影像,特别是对拍摄要求极高的建筑和工业题材。

    浮动镜片设计

    先进的摄影技术和高分辨率数字图像传感器对镜头的要求越来越高。由于各个焦段的卡尔·蔡司镜头均采用了现代浮动镜片补偿像差技术,故而可以保证提供高超的影像素质。这是一种通过改变镜头内各个镜片或镜组的轴向距离,局部调整镜片在调焦时向像差小的方向移动从而使光线偏差和影像变形得到精细矫正的技术。精密的机械设计与制造、复杂的镜片磨制和严密的安装工艺是实施浮动镜片设计的保障,而这几项工艺恰好是卡尔·蔡司的专长。

    几乎毫无失真的光学特性

    广阔的视野与非凡的视角——卡尔蔡司镜头为您开拓全新的创意空间。失真会破坏影像结构,如果直线未能经过图像中心,在照片中将呈现为曲线。通过在所有焦距下的复杂视觉设计,这一令人懊恼的问题在较大程度上获得解决。

    高品质的全金属镜身

    由于使用了优质的金属原材料和其超强的稳定性,蔡司镜头可以在恶劣的环境下使用几十年。精密工艺制造的全金属接环,顺滑流畅、手感极佳的金属焦距和光圈环,坚固耐用的镜身接口以及前滤镜接口,确保了每一支蔡司镜头的良好口碑。

    Distagon T* 2/28

    Flickr上的照片

    Distagon T* 2/28

    博文

    Food Aesthetics | 2013-10-14 16:02:44 |

    Mouth-watering images: the principle behind Ming Thein’s food photography

    Ming Thein is a true professional behind the camera, even though he found his vocation rather late. After receiving a master’s degree in physics when he was only 16, and followed by a successful career in business, Ming Thein became a full-time photographer in 2011. Today, 26-year old Ming Thein ...

    read more...

    Food Aesthetics | 2013-09-20 08:52:37 |

    A mix of documentation and art - Jiang Xiaoran's visual aesthetics of everyday food

    “That was a real stroke of luck,” says Jiang Xiaoran over the fact that he was born in China and studied in France, “because both countries are famous for their excellent food.” Yet as a photographer his love of food is not only driven by how it tastes, but also by how it looks.  So his camera, which ...

    read more...

    News | 2011-12-28 15:58:35 |

    Carl Zeiss Art Calendar features Adrien Brody and Toni Garrn

    Carl Zeiss has once again succeeded in recruiting a team of top international stars for roles both in front of and behind the camera in a photo shoot for the company's third art calendar, under the motto "Complementing Moments". Displaying her unique creative and artistic flair, well-known German photographer ...

    read more...

    Magic of Water | 2011-09-06 07:27:10 |

    The POL filter – a visual effects artist

    Starting September 2011, Carl Zeiss will be offering four new diameters for UV and POL filters (circular): 52 mm, 55 mm, 62 mm and 77 mm. With these new sizes, the company is expanding its range of filters, which until now have only been available in diameters 58 mm, 67 mm, 72 mm and 82 mm. ( ...

    read more...

    Macro Photography | 2011-07-20 10:20:10 |

    Lenses for close-up

    Different perspectivesA wide variety of lenses are suited for capturing even the tiniest subjects with a (digital) SLR camera. Not only those designated as “macro” lenses work for close-up photography.Macro lensesConventionally, the focal lengths of typical ...

    read more...

    Distagon T* 2/28

    回顾与奖项

    回顾

    photographyreview.com
    "In this era of plastic-barreled mass-produced lenses, the Zeiss ZF lenses stand out in sleekly-elegant fashion..."
    read more...

    diglloyd.com
    "The Zeiss 28mm f/2 Distagon is a workhorse lens that is easier to focus in dim light than the 25/2.8 Distagon while..."
    read more...

     

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